For any screenwriter, getting feedback on your screenplay is pivotal to creating your best work. There are many sources of feedback for screenwriters. With this post, I’ll be focusing on table reads, or read-throughs, and their importance to the editing and revising process.
After completing your first screenplay and sitting with it for a minute or two, you’ll want to get instant feedback. This is where traditional read-throughs come into play. Read-throughs are an excellent source of feedback when it comes to fine-tuning any aspect of your script. Seeing and typing words on the screen is very different from hearing your words read aloud.
The vibe of a read-through is best summed up in its definition:
an initial rehearsal of a play at which actors read their parts from scripts.
You don’t necessarily need professional actors to make your words come to life. But you will need willing participants to read your script. Family members. Friends. Classmates. Co-workers. Anybody will do when it comes to bringing your dialogue to life. You might want to let your readers look over the script to give them a chance to pick which characters they want to voice. Outside of the speaking parts, there is the issue of narration. You need someone to give your characters’ actions pizzazz as the screenplay takes shape.
With characters and narration set, there is the issue of the venue. Big or small. Well-lit or dim. Living room, kitchen table or bedroom. The place for the script reading doesn’t matter as long as everyone is comfortable and understand what the goal of the read-through is. All you really need is the right creative atmosphere to produce a fruitful reading.
Once everything is set, the hard part begins – hearing your words read aloud for others to hear. It can be scary but don’t worry because it’s all a part of the process. Having others read your words allows you to hear what dialogue doesn’t sound correct or feels off for a certain character. What directions or actions are more tell than show in the script? Is too much dialogue and not enough action, or vice versa? Is the plot moving forward or stagnant? Is the climax strong enough? These are some of the questions that might arise as you hear your words outside your mind and computer screen. That’s okay because this is another step in perfecting your screenplay. You might be in your feelings as you hear feedback from others. That just means you have a real passion for what you’re writing, but don’t let keep you from hearing good constructive criticism.
Hopefully, this post has introduced you to your new best friend – the table read. But this isn’t the end of the conversation, you can leave comments below and discuss this even more with your fellow screenwriters along with myself.
Come back later this week as I speak on another source of feedback – critiques.